Barefoot Monologues

A Journey of the Sole


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Ten Things I Love about my Job

Given the title of my blog, most of my posts tend to be about running. But considering I haven’t run since the Dark Ages due to a (*^%$#!) foot injury, I might as well indulge in the “Monologue” side of my epithet for the time being. Having no good topics in mind other than running (I really am quite one-track-minded at times), I searched the interwebz for some blog topic suggestions.

I liked this one: Ten Things I Love about my Job.

I do like my job. No, I’m not the Head-Designer-Of-Everything-In-The-World*, as I’d once hoped to be whilst whittling away three quarters of my life at the design lab in college. I may work at a very small company with (by definition) no real profit sharing, no preset bi-annual guaranteed pay raise, no fancy 48-floor office building, and no in-house cafeteria. But I am an Art Director (I like to capitalize those words because then it seems like I have more power than I do). There are some down sides to my place of work, just like any, but there are just too damn many people bitching and moaning about their jobs all the time (hey buddy, at least you’re employed!) that I think it’s time to counterbalance all that negativity with this exercise.

10 Things I love about being an Art Director

The inside of my cubicle. We are moving to a new building in the next couple of months so I'm hoping for a re-design. But until then this is my humble work abode.

  1. I am considered a manager, so I get a bigger cubicle than all the toiling peons** below me. Sure, that also means I have to house all the department’s extra ink cartridges, paper, pens, backup files, staplers and gigantic banner printers in that extra space. But I own more land and therefore I am King. Er…Queen.
  2. They trusted me with a key to the building and an alarm code. I mostly only use it on the weekend to retrieve personal belongings that I accidentally left behind Friday night, but occasionally I get to let people into the empty building early in the a.m. or lock up for the evening. That’s when I shine as a Manager!
  3. Being the Art Director in a small company like mine means that I automatically have the most seniority in the Art Department. And that means everyone has to listen and give at least some credence to all of my ideas and opinions, no matter how dumb they sound coming out of my mouth. And furthermore, it means that the Big Boss respects and asks for my advice in all visual situations, even where it’s only marginally useful, like internal/external paint colors for the new office building he just bought. I may not have been exceedingly helpful (picture me excitedly presenting him with internet printouts of orange and black office interiors and $400 mesh swivel chairs), but it sure did feed my Head-Designer-Of-Everything-In-The-World* ambition. All joking aside, it is nice to have people recognize when you’re good at something.
  4. I have the career that I went to college for, and I went to college for something in which I possess natural talent. I am proud of that because so many people fail to find a job in their desired field and end up going down a totally different avenue. Not that I knock this outcome, many find themselves even happier in their unintended career. But I find it awesome that I’m one of the few who guessed right when I was researching careers in the Guidance Counselor’s office in high school. And I maintain that I “guessed” because nobody has a clue what they want to do for the rest of their life when they’re 18 years old.
  5. I am pretty sure that my boss actually likes me. Either that or maybe after ten years of putting up with my crap he’s given in to thinking of me like family: the people you see at funerals and holidays, who you kind of like but wouldn’t exactly pull out of a burning building if they weren’t related to you. And since they’re not going anywhere, you might as well smile and put up with them. Either way, I feel like part of the club now and it means I can make wisecracks and occasionally walk around the office barefoot without getting fired.
  6. Being a manager means I get paid more than I did when I was a toiling peon. Sure, I’m not making quite as much as the Art Directors at Some-Big-Ad-Agency, but they all work crazy 75-hour weeks. Instead I enjoy having a husband and seeing the inside of my home.
  7. Being the only Art Director in a small office of people means my job is arguably as secure as the company’s existence. So unless I majorly f*ck something up or start presenting nothing but unicorns pooping rainbows at new product meetings, I’m probably never going to be out of the job. Or unless the whole company folds or sells to someone who doesn’t find my pooping unicorns useful.
  8. I work with great people. I think part of this is because The Boss is loud, demanding and has a personality the size of Texas. Anybody who is uptight, sensitive to direct criticism or requires a formal, highly professional work atmosphere doesn’t last long here. So we end up with a group of young, creative, easygoing folks with generally friendly and adaptable personalities. Basically people you can work with and have a beer with. I’m okay with that. Oh, and I don’t have to wear a suit or heels every day (see bare feet from number 5). In fact, it’s the opposite: one great thing about being an “art person” is that I get way more leeway than most professionals when it comes to edgy or questionable fashion. Want to dye my hair pink? Wear a green scarf with a lavender dress? Nobody ever questions my fashion sense or asks me to change my multicolored striped tights, because I’m an art person, and art people dress weird.
  9. Because I work for a small company, I get many opportunities to spread my experience around and learn different parts of the business. It’s like cross-training for runners. Not only do I get to do art and product development, but I also input, test and troubleshoot software, get my hands into the marketing and brand identity design ever so often, work with customers, help design the website, and even dabble in sales at trade shows a few times a year. I get to see how the whole machine works, not just one small cog of it. The only thing I haven’t gotten into is accounting or shipping and receiving – and really, I’m all set with that stuff. My job isn’t glamorous, but it can be interesting and exciting, and I get to flex different brain muscles when duty calls.
  10. Most importantly, my job is awesome because somebody pays me to make art. I mean, sure I’m talented and everything but seriously…WOO-HOO on the getting a paycheck every week for drawing hearts and flowers on a computer screen! I didn’t have to learn math to get this job, and while I am secretly pretty good at math I like to keep up the guise that I’m not – don’t ask me why, I guess I feel I’m more authentic that way.

*Head-Designer-Of-Everything-In-The-World: the ultimate worldly designer that I fancy myself being when I grow up (although it would require the lifespan of a vampire to gather all the experience)…Art Director, Interior Designer, Architect, Clothing Designer, Fashion Editor, Magazine Layout Designer, Book Cover Designer, Fine Artist, Photographer and Web Designer. And that’s just the art jobs…don’t get me started on all the science and animal related jobs I’d love to have.

**I mean “toiling peon” with the utmost respect and love. I also giggle whenever I say it, because there is really no such thing as a peon in a company of 35 people.


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Master Bath Revival

My husband and I have owned our house for three and a half years, and since the day we moved in we promised to renovate the master bathroom. The molding was wood-colored (ick), the walls were aqua, the floor was curling up at the corners, the tub was old and stained, and our first official shower in it revealed that the pipes underneath were leaking through the floor and onto the kitchen counters below. Needless to say, it was our least favorite room in the house. And since kitchens and bathrooms sell a home, we saved and finally hired a friend’s contractor to come make our bathroom beautiful.

First thing I did was go online to look for inspiration. Since my general style sense is clean, graphic, bold and minimalist, I knew I wanted a dark/black wood vanity and classic chrome fixtures. We had once toyed with the idea of doing warm autumnal tones, but in the end we decided that palette would look better in the half bath downstairs, because of all the tan, chocolate and red tones already down there. So I wanted something understated, handsome. I found myself gravitating to these cool grays paired with creamy white porcelain and shots of color like yellow and lavender.

My inspiration for the general look and feel.

The contractor came about a month and a half before work started. We picked out our nice deep bathtub, our fixtures by Grohe, and he gave us some measurements, quantities and parameters on what to buy for everything else.

We went to Lowes to check out what they had there. Knowing exactly what we wanted, we found our 36″ vanity right away, I think it was by Laura Ashley. Gorgeous super dark wood, oval-shaped chrome fixtures. The price was right with an all-white top which was very classy and square (I love things that are square). There was a matching mirror that I mostly like, and so we picked it up, knowing that it would work.

For the main lighting we knew we wanted something modern, with not a lot of flourish. We found this group of different fixtures on the walls of the lighting section, and you could pick which lamps you want to match with them. We chose one of the simplest fixtures, high-shine chrome to match everything, and square lamp covers. The ventilation fan was next, and we were lucky to snag the last non-ugly one that was in our price range. Also square. Seeing the pattern here?

Next was the tiles. We needed 130 of them. At this point we had already decided on a cool gray color scheme so we didn’t want the tiles to be too warm. Strangely enough, we found it extremely hard to locate 12″ tiles that weren’t ecru, tan, beige, brown, sepia, burnt umber or terra cotta in color. Warm colors abound, but we were finally able to settle on what was called “Blue Glacier.” They were gorgeous and had a nice little hint of silvery blue in them, a nice match for our color ideas. The contractor asked us to choose some smaller tiles for a highlight on the tub walls. The only point of contention between hubby and I on this whole bathroom renovation was these tiles. I picked out some sheets of charcoal gray/black tiles. He thought they would be too dark. We bought them anyway. Our contractor thought they would be too dark, too. But once they were up, everybody agreed that they looked super cool, and I was right (insert smug grin).

Once everything was bought (we came in $2 under budget…hey-o!) the contractor swung by the store and picked up everything for us. On his first day of work I stayed home. Probably the most exciting part of the whole thing was seeing this in my driveway:

Our old bathtub sits on the front lawn: good riddance to bad rubbish.

…and then this right next to it:

Ta-Da! The shiny new tub arrives.

I immediately stepped into the new tub, right there, right on the front lawn. I couldn’t believe it was actually all happening. And happen fast, it did. And it got weird for a couple of days. Like, for example, one night our toilet showed up here:

It's not such a nice scene when your toilet shows up in the computer room. :-/

Billy was nice enough, though, to finish installing the new pipes, tub and fixtures by the end of the first day and taped up plastic so we didn’t have to miss a shower. Thankfully, the leaking pipes never rotted or ruined anything under the tub area, which was so nice to hear.

After the first day: we took showers that night in what I called "the tent."

Day 1 mess: New base floor, old walls and ugly window frame.

On the second day I got home from work to some real changes. The tiles were all up and the tub fixtures were placed in their permanent homes. My shower that night already felt like new.

Day 2 - no grout yet, but the "tent" shower was starting to show signs of class.

On the third day he grouted the shower walls and put in the floor tiles, lighting and vanity. I never remembered to take “before” pictures, but here you can still see the old white bathroom cabinet and the ugly window and walls. Oh, and notice the toilet’s still missing.

Day 3: floors and vanity in.

The contractor complimented us on our choice of tile and grout color. He thought it would look weird with the vanity until he put it all in.

So by day 4 he was completely done with everything. Of course that still left cleaning, small odd jobs like towel bars, a new cabinet (which I scored at Home Depot on clearance for half price, while I was looking for paint supplies…yes!), window fixtures, decor and painting. We still have to find the right art for the walls, but that will come. Painting was a ton of fun (and by ton of fun I mean not fun at all). For example, who ever thought there would be so many grays in the world?

We decided to go with a really pretty cool gray by Sherwin Williams, called Samovar Silver. Then we accented the longest wall with a darker gray, called Steely Gray.

The paint colors we chose.

So after three years of waiting and waiting and putting it off and hating our bathroom, we finally have a place we like to wake up to in the morning. The following pictures I took today after everything (except wall art) was done. Oh, and please don’t ever ask me to install another towel bar for the rest of my life.

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Drumroll please…

Ta-Da!

I love my new bathroom!

A better view of the vanity bottom.

Vanity top with super mod no-edge sink.

All new fixtures by Grohe.

Cool new lighting fixture with square lamps. It's nice and bright in there now.

New exhaust fan. We used to have to keep the door closed for an hour after each shower to keep the smoke alarm from detecting the steam and going off. It was a great mold-maker. Now our mirror doesn't even fog up!

Cool gray walls with a highlight wall of deep gray, new dark wood cabinet, white window molding, mocha blinds.

View of the toilet area (I had to stand in the tub to get this shot).

The floor is so pretty. Cream base with beige and glacial blue undertones. Smoke gray grouting.

Fabric shower curtain by Badgley Mischka. And the towel hook that took me an hour to hang.

You can see the contrast of the highlight wall here. Please feel free to make art suggestions, we are currently at a standstill between 24 different art styles.

Inside the shower. Same tiles as the floor, graphite-colored accent tiles (which are lighter in person), curved curtain rod.

Inside shower: all Grohe fixures. It's huge in there now, it's like taking a shower in a mansion.

Has anybody heard of these Grohe faucets and fixtures? Our contractor couldn’t stop talking about them. He was probably trying to make the $$$ pricetag seem worthwhile…

It's so nice to have temperatures between icebath and witch's cauldron.

So there it is! Thanks for viewing. We are very proud of our first real room overhaul. We learned a lot and are quite happy with the result. And if anyone would like the name of our contractor I’d be happy to recommend him.


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Running as Art

Get the Book...Read the Book!

Anyone who knows me knows that I don’t like sports.

Despite having been raised by an athletic father who played softball in the summer and hockey all winter, despite having been a basketball and football cheerleader in high school, and despite the fact that I live right smack in the middle of Red Sox Nation, I have absolutely no interest in sports. It’s a lot like living in Nashville and not liking Country Music. While most of my coworkers are looking for tickets to the Yankees/Red Sox game during our next business trip to New York City, I’m mentally planning a quiet night at Shake Shack with the few who don’t give a hoot about which team wins.

No, I don’t like sports at all. But I am a runner. So what gives?

Last weekend I attended the Boston leg of Chris McDougall’s “Naked Run” tour. It was Marathon weekend, so there were tents, noise, streets blocked off and police everywhere. And the glorious finish line was all set up right next to the Boston Public Library, where about 60 barefoot and minimally-shod runners met up to run a 5-mile loop together. Regular Joes and Nancies all pounding the pavement with the likes of Scott Jurek, Dr. Daniel Leiberman, Lee Saxby, John Durant, and of course the man himself, Christopher McDougall. It was probably the coolest run I’ve ever done to date…yes, even cooler than that warm morning jog on Coronado Island last December. Kathy and I smiled until our faces hurt and she snapped a photo every 3 minutes. We ran behind McDougall most of the way, and at one point I was able to catch up to him for a quick chat. It was relaxed, laid-back and beautiful, exactly the things you want out of a run. With a half mile left we stripped off our shoes and ran “naked” across the Boston Marathon finish line and back to the library steps, still smiling like a couple of fools.

Running...ahem..."with" Chris McDougall.

What strikes me the most about that run, and about all of my running experiences since reading Born to Run, is that running represents nothing but joy to me. Unlike those who grunt out two miserable miles on the treadmill twice a week to fulfill their New Years resolutions, I’d rather be running than doing pretty much anything else. Could it be because I took my shoes off? Revamped my slacker running form? Could be. But I think the real difference is that now I see running less as a  sport and more as a practiced art.

The subject of barefoot running is filled with a ton of historical hypothesis, instructional information and biomechanical science. There are books, blogs, videos, forums, events and lectures all over the place about it. Anything you want to know about why you should run barefoot or with minimal footwear, it’s easy to find. There will be at least a few minimalist runners at every 5k and half marathon you’ll enter this year, and every running store worth its salt is carrying at least a few pairs of minimalist running shoes.

Running naked in Beantown.

I don’t believe that running should be thought of like a sport, or used as a workout that you do to get back into your high school jeans. Those jeans are out of style, anyway. I believe running should be approached as an art form, like dancing, singing, painting or writing. Things that we all do at some level all our lives, as a form of pleasure or social activity. For example anyone can sing, and it’s enjoyable even if you suck at it (think of all the times you’ve belted out “Happy Birthday” to your embarrassed friends and family at TGIFridays). And then there are people like Aretha Franklin, who sing too, just much, much better.

What I’m saying here is that some activities are part of who we are, part of our cultures, our societies. Why have we made running out to be anything different? Running is a default movement of our species. More specifically, it’s a default art form of our species. It’s inherent in all of us to run, just like bopping our heads to a great song on the radio, or drawing a stick figure of ourselves on our notepads during snooze-fest board meetings. We all have the tools to run; our bodies were built with parts meant to make us able to run, stuff that not all creatures have. We run constantly as children, and we do it without the aid of motion-control shoes or GPS watches. Certainly 99.999% of us will never win the Boston Marathon, we just don’t possess the talent. Still thousands show up every year to run it, just the same. It’s because these people know that running is a good thing, and that yes, it’s good for you. These people haven’t forgotten how to enjoy movement. Haven’t allowed themselves to become too distracted by their televisions, their careers or their iPads. They’re not members of the huge majority of Americans who have inexplicably convinced themselves that they can’t run. So let me take a moment here to remind everyone again, in the words of Chris McDougall:

  • You weren’t born broken.
  • Running isn’t a perilous punishment-for-pizza.
  • Everything you need [to run], you had the day you were born.
So yes, I believe that running is a form of art. Or at least that’s what it’s become for me (an artist by trade) since reading Born to Run last year. The book taught me that practicing my running form is cathartic on a level superior to deep breathing or antidepressants. That completing a difficult run is 90% mental. And that 10 miles is about so much more than just burning calories…it’s about the journey within myself. Learning these things has made my life happier, and in some ways it has even made me a better person.

Precisely the moment at which I choked. I thank my good friend Kathy for catching it on camera.

I wanted to thank Mr. McDougall for writing the book that would do such a thing for me, last weekend when I finally caught up to him on the bridge over the Charles River Basin. But instead I choked, and ended up asking him why he wasn’t running barefoot. It turned out okay anyway, and I even got a compliment on my running form. Maybe if I read the book again, I can learn to be zen enough to talk to celebrities without that residual “OMG I’m such a GEEK” side-effect. One can only hope.

I even geeked-out at the signing.



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Running Injury #382

I hurt my foot while running long, several days ago,
Exactly when it came about I’m sure that I don’t know.
I limp at work and limp back home, I wince and I complain;
My body doesn’t see I have no time for sprains or strains.

Next week I have a Fun-Run with a Barefoot Superstar,
And in two weeks a 5k, right up the street, not far.
Three weeks from now it’s International Barefoot Runner’s Day,
And I’m supposed to lose my shoes and run for five more k.

The sun is out, the birds all chirp, “It’s spring, come out and run!”
My friends post miles on Facebook, they’re having so much fun.
How sad I am, and longing to wear my running shoes today,
But I know if I’m not patient, I’ll be gimpy all through May.

So when I’m back, it’s barefoot time, at least for part of the way;
No uphills, downhills for awhile, at least not like Great Bay.
My cadence high, my feet relaxed, how graceful I will be;
Oh how I wish that was today, this wait is killing me!


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Hey Boston, is that all you’ve got?

I don’t enjoy Boston-based films like “The Town”, “The Fighter”, “The Departed” and “Gone Baby Gone” as much as I thought I would. And I think it’s because I don’t have a Boston accent.

Whenever I hear a new movie is coming out that is based in Boston or some other area of Massachusetts, I feel a distinct mixture of pride and dread. I love Boston, and I love that I grew up around here. I love the culture, the soul, the colonial-style houses steeped in history and the beautiful stone-sculpted buildings. I love that you cannot navigate through Boston proper unless you already know the streets and side roads, even if you’re armed with a Garmin. It’s a city of beauty, of affluence, and of intense cultural exclusivity. We also have a concentration of some of the best colleges in the country; which is why I’m flummoxed by the portrayal of such ignorant characters in every Boston-based movie I see nowadays.

I swear I don't know anyone who still wears their hair like that. I really don't.

I think most of the problem is that so few actors, even ones who grew up in say, Cambridge, Massachusetts, can even use the Boston accent correctly on film. It is intricate, slight, and when overdone it makes everyone sound like a complete idiot. Some of my family members sport a thick Boston accent, but not the younger, more educated ones. They all sound like me. As does everyone I work with in Woburn (a town just 9 miles north of Boston). We might drop an “r” here and there, or give ourselves away with our use of the word “wicked,” but for the most part you can’t differentiate us from our accent-free newscasters. So why does Will Hunting speak like a bleeding idiot and still manage to be one of the world’s most genius mathematicians?

Dane Cook grew up in Arlington, Massachusetts. Arlington is a suburb of Boston, so close that some call it a neighborhood of the capital city itself. But Dane Cook doesn’t have a Boston accent. Why? Because he’s not a moron (but to his level of douche-bag-ness, I cannot speak). Ben Affleck? No accent. He can’t even make one up on screen. So what’s the point of inserting this distractingly unauthentic dialect into what could otherwise be meaningful dialogue? Who is proud of the fact that the speech patterns of the least educated Bostonians are the ones that get put on the silver screen? Certainly not I.

Hey Blake, Pete Wentz wants his eyeliner back.

Dropped “R’s” aside, let’s talk about the way women look in many of these movies. “The Town” stars Blake Lively as the smelly-looking, claw-nailed, cheap hoop-earrings-wearing Oxycodon addict.  In “The Fighter,” Mickey’s five sisters look more like homeless trolls with, let’s call it learning deficiencies, than the family members of two talented prize fighters. Yes I know, the story took place in Lowell (ew) and the actors were probably trying to authentically portray actual living people. I get it. But a majority of the people who live around here don’t forget to wash their hair for weeks on end, didn’t miss every fashion trend that occurred after 1984, and aren’t throwing their talented lives away by shooting heroine and letting their creepily close-knit families ruin their careers. Moreover, there are more intelligent, successful, well-mannered people here than there are mobsters and criminals. But a majority of films about the people who live around here show very little about that.

Perhaps I’m being too harsh a critic, and forgetting that this is all part of Boston’s distinctive charm. But I’ll tell ya that I’ve never pahked my cah in Hahvad yahd because there are “No-Parking” signs posted everywhere, and besides, I know enough to take the T to Harvard Square anyway. I don’t follow The Red Sox like a religion, and even though I make a wicked awesome clam chowdah, I make sure that there’s an “r” at the end of it.


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Tomboy Hands

These are not my hands. Photo courtesy of yelp.com

I just cannot stand the drama of my own fingernails. Yes, that’s right…I’m writing about my nails (non-runners who are bored senseless by my running posts, rejoice!). I can’t help it: I literally just watched the middle one on my right hand crack from the side corner and bend backward with the sheer traumatic force of…typing on a keyboard. It seems even four layers of shellac gel polish is no match for my stubbornly disintegrating nail keratin.

Nowadays even my toes are taking aim at me: just the other day I noticed the nail of my big toe is split horizontally, about a half inch from the cuticle…probably happened a couple weeks ago when I tripped on a frost heave while running. Oops. Now I’m faced with a tough decision: chop the loose part of the nail before it starts looking worse, or paint over it in hopes that the nail polish will act as glue and hold the thing together until it grows out more? Decisions, decisions.

Being the self-proclaimed pseudo-tomboy that I am, I never cared much about my nails. I look at old pictures now and I see how bad they were, each in a different state of growth, never painted, always splitting down the middle and just looking pretty yucky most of the time. Then one day out of the blue last spring, I decided that it was time to try acrylic nails. Well, that worked just fine except for the fact that they looked…well, acrylic. They were always too long and thick and claw-like, just not suited for my personality. Not to mention my natural nail was still breaking all the time — just under the acrylic!

But I dealt with it. I could do anything with those pink-and-white monstrosities, and I felt fairly invincible. Then one day my nail person took off to Vietnam for an undisclosed period of time (possibly forever), and being the staunch loyalist I am, I couldn’t go to anyone else. I got rid of the fakies. Back to natural. Fantastic!

Except I forgot, my nails totally suck.

Gel nail color promises so much. Thicker nails, color that lasts 2-3 weeks, or until you soak it off at your next appointment. It’s like fake nails without all the fakeness, and like nail polish without the almost immediate chip-off (well, for me at least…I could chip a nail as soon as the polish dried – that is, if I didn’t smudge it first). I paid my 40 bucks and picked my favorite color – a deep, plum-like purple. I’ve always loved the look of square-shaped, super short, dark laquered nails, and by golly for the first time I had them!

Two weeks later I remembered the reason I never had those pretty square-shaped nails before: the constant chipping and cracking at the corners, until my nails all become that semi-round shape that occurs when there’s no nail left to break off.

So it’s another crossroads: do I keep trying (and ultimately failing here and there) to have nice pretty nails? Or do I give up, give in and go back to my old tomboy self, yucky fingertips and all? Guess I’ll still have time to decide after Thursday’s nail appointment…


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Blisters, Snot Rockets and Frozen Tears: What I’ve Learned on my Quest for the Double-Digit Run.

If running is a solitary sport, then training for your first Half-Mary during the worst winter in recent memory is downright reclusive.

Here I was last Sunday, at somewhere around mile 6 of my first 10 mile run ever. Twenty minutes into digesting the first of two energy gels and stopped dead at the bottom of a colossal hill, under the guise of needing to check my dog’s feet for salt burns. My dog was fine. It was me who needed a health check. Or maybe I just needed my head checked. At 31 degrees I had labeled the weather “warm” (in relative terms), I was wearing shoes with 3 millimeter thick soles and separated toes on frigid slush country roads, with no sidewalks; I was standing on golf ball-sized blisters on both feet from a 4-mile (sans socks) altercation with a treadmill two days prior, I had unwisely chosen to wear my lighter running gloves, and I was just plain not in the mood to run. I would have started crying at this point, but any available facial fluids were already running out of my nose. It was here that, despite my patient canine companion, I was feeling the most lonely I’ve ever been since I started my second running life.

I’ve appointed this degradation of sanity “my second running life” because until last June I’d only been sort of jogging on and off for nine years, and never really taking it seriously. I never tried to run further than 2 or 3 miles at once and I never paid much attention to form, stamina or proper footwear. I hurt my knees and ankles a lot, and then that would stop me for awhile. It wasn’t until I discovered the whole minimalist running movement that I realized I wanted to enter races and get better at running. And that is the point at which I became truly mad.

So, I suppose it shouldn’t surprise me that I’m alone at this junction. Who wants to run ten miles at all, let alone ten miles in the freezing cold on a dreary Sunday afternoon in January? And who would want to be next to me right now, anyway…shivering, snotty and grumbling to myself about a colossal hill in front of me that, by the way, isn’t really that steep at all? No, I shouldn’t be surprised that 100% of my jogging pals had dropped out of my “fun weekend run” circuit by the time I was up to 8 miles. Training oneself to run a half-marathon doesn’t sound like much fun to the rational person. But to me, 13.1 miles is glory at its finest, and I am going to finish training for it even if it kills me (something I’m not entirely ruling out). And it all begins with this hill.

But since running is so darn lonely these days, I have had plenty of time to deliberate upon the many things I’ve learned about myself over the course of this mental illness (it also helps me forget that gnawing pain in my left arch that started back at mile 7). I’ve listed some of them below, as it helps me to mantain lucidity if I can remember that this is actually a useful learning experience.

  • I can run more than three miles. The last nine years have been a bunch of pretense and foolish whining.
  • it doesn’t matter if I run with music or without. Rhythmic sounds do not make those last two miles magically go by faster.
  • running at neck-breaking speed for the next fifteen seconds does not make them go by any faster, either. Moreover, landing on your face at the back of the treadmill is embarrassing.
  • guacamole and chocolate is not a good dinner to have the night before a 10K race.
  • there is an art to performing snot-rockets that is particularly vital to learn if you don’t want to wash your gloves after every run.
  • underwear is unnecessary. Why waste a pair of skivvies just to run in them for 40 minutes? They always get twisted and bunchy anyway.
  • the best way to silence a room is to ask if anybody wants to join you at next weekend’s 5K race.
  • the second best way is to talk about how many miles you plan to run tomorrow morning.
  • you don’t need to wear a lot of layers out in the cold if you’re going to be running. Frozen sweat is quite unpleasant.
  • running 10 miles is somehow twice as hard as running seven.
  • going to races by myself is not fun. There’s nobody to talk to at the number pick up, at the starting line or at the coat check, and the Post-Race Victory Lunch just isn’t the same when I’m eating it out of a Wendy’s bag on the drive home.
  • the worst time to think about next week’s long run is right after this week’s long run.
  • 48 degrees is not that cold; it’s actually the perfect temperature for running outside.
  • I appreciate my dog Oscar, because he is always willing to run with me, any day, any distance. Everyone else refuses to commit.
  • running works better than fiber (just think about that one for a second).
  • removing teeth with a plastic spoon might be more pleasant than running for an hour on a treadmill.
  • A Camelbak filled with 50 ounces of water weighs 50 ounces more than it did when I tried it on at the store.
  • It is my personal opinion that people who run full marathons are utterly and irreversibly deranged. And that people who run ultra-marathons simply cannot exist.
  • I am an outdoors person. I love beach, trail, grass, warm breeze and the summer sun. If I lived in San Diego, I could get all of those things on a run, every day. I still haven’t learned why I continue to reside in New England.
  • just because I ran 20 miles this week doesn’t mean I can eat at Five Guys and still expect my muffin top to disappear by summer. I’m over 30 now.
  • only three people on Facebook give a damn about my 4-mile fartlek time, but even if nobody did I would still post it.
  • I feel I am an Enlightened Runner because I run in minimalist shoes, and a Rock-Star because I run barefoot in mild weather (well…some of the time, anyway).
  • I sort of like it when people call attention my barefoot running ways. Even if is to tease me mercilessly.
  • the most exciting thing that ever happens during a run is seeing another runner. Other crazies make me feel more validated.
  • I am always a little disappointed if the other runner is wearing regular running shoes.
  • I’m kind of a slow runner. Even when I think I’m running fast, I’m still pretty slow.
  • now that I have my very own Garmin watch (thanks, hubby!), I get to see exactly how slow I am in vast, glorious detail.
  • Buying BodyGlide is an embarrassment on par with buying condoms or Vagisil. But going without it is far more terrifying.
  • sometimes the best runs start with a hangover.

It’s times like this I am glad I can learn anything from my madness. Because my 60-pound dog can’t pull me up that hill, and if I can’t remember why it’s all worth it, then then it’s really going to suck to see my husband’s disappointed face when he comes to pick me up in his SUV.

So, anybody want to join me for next week’s long run?


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Dusk

I have never really liked dusk. So disquieting, that brief suspension of time after the sun’s disappearance over the horizon, before the rest of the sky collapses. It’s not yet dark, but the whole world looks different for awhile. Every color except blue fades into darkness and a murky blur descends on the streets, the houses and trees. It is at this time when the long shadow of your loneliness is cast. It’s the place where your skeletons and ghosts come to find you. Where all the ends of things collide.

It was precisely dusk and I was eleven years old, killing time while my father played a softball game for the Men’s League (he used to call it the “Old Fogie’s League,” because it was for guys over thirty). We couldn’t be bothered to sit still through all seven boring innings, so my brother and I were usually sent off to loiter in the playground that was set up around the back of the ball field. This night’s game started later than usual, and as we marched around the outside of the wrought iron fence toward the playground, I could feel the dusk chasing after me. I turned the corner at the back end of the field, and the tall wooden jungle gym came into view, hanging black and heavy against the sky like a great haunted mansion.

All the other kids had long since gone home, and my brother and I were the only ones there. He didn’t seem to notice the creaking stillness of the structure made alive by the heft of its shadows. The site of a deserted jungle gym thrilled the heck out of him. He sped to a gallop and rushed toward the hulking formation. His silhouette disappeared against the blackness and for a moment he wasn’t there anymore. He was sucked into it, and I was all alone. But a few seconds later his boy-shaped shadow peeked out, four limbs and a center blob crossing under the monkey bars from right to left.

My heart began beating again, cautiously. My brother called out to me, and I started toward the solemn giant, either to join the game or to rescue him from his dark fate.


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Dedication is.

Dedication is going outside to brush 12 inches of snow off your Honda at 1pm on your day off, and heading to the gym with the very edge of nausea climbing down into your stomach from god-knows-what you ate the other day. It is dusting icy remnants from your old winter boots before getting into your pre-heated car, and still wondering slyly to yourself: should I just exchange them for my running shoes right now and go out on the road anyway…throwing caution to the 18 degree wind? Dedication is running three miles on a treadmill and then hurling your face into a public toilet to dispose of this morning’s toast, coffee and perfectly ripe banana. And feeling really bad because you wanted to run five today.

Dedication is also sometimes a crazed and unadulterated surrender of all reason and good sense.

Since starting this blog I’ve been hesitant to write a post about running. I am well aware that talking about my new hobby bores the hell out of half my friends and makes the rest want to claw my pretentious, holier-than-thou-sounding eyes out. It’s not an interest I share with my husband, any of my family members, or most of my friends. But I think it’s okay for it to be a lonely endeavor. Because running has become a part of who I am in a way that was always there but never fully realized until the day I ran my first road race. Running is how I feel closer to the natural world, to the roads around my neighborhood and to the day’s running partner (sometimes a friend and sometimes my dog Oscar), and it’s how I feel closer to myself. And the closer I am to myself, the smaller are my clouds of insecurity and self-loathing.

Right now I’m training for my first half marathon, which is happening in the beginning of April. I find it’s an oddly intimate thing, training for a big race. You find all your self-inflicted limits and then bash them senseless with your newer and better expectations. You get used to aches and familiar with ice packs. It’s a time to feel like a bad-ass rock star, and it’s a time to fail like a big ole’ loser. Clichés aside, running at times can be murder, but there’s kinda nothing like the day you learn that you can run 9 miles all at once. When you’ve finally made friends with discomfort, that dark pursuer, and trade in your excuses for the satisfaction of getting that round number to show up on your GPS watch.

It’s a hallowed place, that number. Whatever it is, three, seven, thirteen-point-one. It’s where the ghosts disappear. But of course, every time you reach one number your eyes turn immediately to the next, and tomorrow you’re chasing a new ghost. A runner is an addict. Like one who must consume a substance just to make the world balance out again,  the runner needs this self-sustaining heroin. I feel the most normal when I’m in motion. To settle into that familiar rhythm is to know lucidness again. My feet glide softly over the surface of the ground, the arch of one foot propelling my frame just enough to land squarely over the next. A perfect balance of strength and velocity. I feel I belong in this place. Here I can’t be judged for admiring a quiet pond, can’t be rushed out of feeling the warm sunshine. I can make a right onto a street I’ve never been or stop to watch my dog chase a squirrel off the path and up an oak tree. Here I can have the air, I can feel the earth underfoot. It is freedom.

In the summer.

And then there are the days I’m donning wool socks and a “burglar-chic” face gaiter, to run for two hours in the dead center of a New England January. And when the roads won’t abide, there’s the suicidally boring gym treadmills and endless episodes of Oprah and Family Court playing on the corral of ceiling-mounted TV sets facing me. Training myself to run 13.1 miles outside in the sunshine, wearing tank tops and those cool new running skirts that everybody loves, that sounds like a piece of cake. No excuses, no fear of nature biting back with ice-slick roads and purple toes. But, training for a half marathon in the screaming-cold, angry winter? That takes some major dedication.

Or insanity.


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Mother in Metamorphosis

My mother. She looked like me, only she was more beautiful. She was slender and diminutive, but not frail. She had mocha-colored eyes and that lovely, warm olive skin that never burns in the sun. She always appeared ten or more years younger than she was, so fresh and feminine were her features. She had the cheekbones of a goddess and auburn hair that looked silky even after months of chemotherapy.

Aside from her beauty, I don’t know very much about my mother. Her birth name was Carolanne Daigle and her birthday was sometime in September. She was born in Schenectady, New York, to a woman named Doris, and her birth father, still nameless to me, was apparently half Native American. My knowledge falters deeply after that. Because even though my mother may have possessed the sweet-tooth charm of a child, she lived her life like a feral cat. Cousins her age tell me that she was wild and unpredictable as a teenager. She had a careless, distracted way about her, sometimes she reminded me of Courtney Love giving an interview on the Howard Stern show. She was free-spirited, fun and spontaneous, but lasciviously dangerous. In all the time I spent with her as an adult, I never got the full story from her about anything. I don’t know what high school was like for her. I’m still not sure how she met my father, I don’t know what her first home smelled like to her, or if she wanted to be a ballerina when she grew up. I never heard my birth story. And I will never really know why she gave up being my mother when I was four years old.

Of course, there are a few palpable things I can blame for her absence: her addictions, undiagnosed mental illness, and the fact that my Grandparents did their darndest to keep her away from me and my brother when we were young. But I don’t think I really know the truth. Through my entire childhood, all I knew about my mother was the dismissive attitude my family had toward her, and the details in the arrest reports with her name printed in the Sentinel & Enterprise newspaper. The thing I remember most about this time was the lonely, unyielding feeling of having been previously abandoned by the person who was supposed to love me the most. There was a mother-shaped hole in my life, and its emptiness has rendered parts of me in ways that have made me both stronger and weaker as an adult. Although I’ve grown up and thrived quite well in my life despite it all, nothing can change the fact that my own mother chose not to be my mom.

When I was in high school and college, Carol reached out to me a few times. Once there was a teary and frightening alcohol-fueled ride around town with a bottle of Jack in the center console; another time a visit to see me cheer for my school’s basketball team. No two visits were the same. After one of the many long stints of not hearing from her, she showed up uninvited in my foster home to see me on a warm afternoon in May. She stood at the bottom of my Aunt Pauline’s driveway, wearing a flowered sundress, and she looked like an angel. That pretty sundress, and her prettier smile, concealed so well this person who had lived so hard, had been in prison for years. I felt that she was a broken bird, someone who would never see the world right-side-up. She hid a secretive, dark lifestyle that involved creepy men and dilapidated apartments in notoriously bad neighborhoods. I didn’t know what she did for work, and something always told me I didn’t want to know. And as I learned after college, the closer I got to her, the less I realized knew about who she actually was. But I knew in her own way, she just wanted to have a daughter, and she wanted me to look up to her. She wanted me to forgive her for leaving me, and that was impossible for me to do without knowing anything about why it happened. But my actual resentment would never compare to the burden of guilt and regret that she carried around with her like a plague, a black bile. Like a cancer. She was so angry at herself for abandoning me and my brother, that she never let me forgive her. Just looking into my face, a mirror reflection owed to genetics, it must have killed her. Looking back now, maybe it did.

My mother had cervical cancer. It’s a type of cancer that is normally quite curable, but she ignored the problem for so long that it had metastasized before she ever had a chance. I think perhaps it was her way of punishing herself. They did chemo and radiation, but it only held off the disease long enough for it to come back with full valor the moment we all thought she was cured. I heard the news late, of course, being that I’d lost track of her once again. And when I did finally get word about it from my brother, a lot of feelings went through my mind at once. Pity, obligation, resentment, and fear. The most surprising feeling was relief. All my life I had a deadbeat mother; deep down inside, the feeling struck me that maybe it would be better to have a dead one.

Once I got word about her illness, she didn’t want to see me. I had to barge into her one-room apartment, which wasn’t hard considering the building probably should have been marked for demolition a decade before. I’d read descriptions of cancer patients suffering through chemo, even took a course on cancer in college, but there’s nothing more startling than looking at a skeleton who once used to be a beautiful person: muscles deflated, teeth and brow bones protruding forward to form a cadaverous grin. The Grim Reaper’s grin. She weighed 73 pounds, had nothing in the way of food except pudding cups and pop-tarts, and there were tubes emptying fluids from her bladder. She was living alone, but I didn’t pity her enough to take on the responsibility of caring for her. I chatted for awhile, brought her a few shopping bags of food and went home. Today, I feel guilty about this choice, and I also feel nothing. I’m not sure I’ll ever reconcile that day in my conscience. 

It was my grandmother Doris who finally wheeled Carol out of that dingy apartment, installed a hospital-style bed in the living room of her double-wide trailer, and proceeded to watch her daughter die. At the prompting of my foster parent, Aunt Pauline, I visited twice. Both times I tried to connect with her, but was disappointed. It felt like no one was there, nobody but the very same selfish woman who put the emptiness into my childhood. I quietly resented her being watched over by her own mother; she never took care of me, and she will never have the chance to again. It wasn’t fair, and now she was dying. So what was the point in trying to work things out?

My mother died on May 21st of 2010, at the age of 49, while I was out for a run on some trails in my New Hampshire neighborhood. At one point in my run I looked out onto a clearing, the sun warmed my face and glistened off a wide pond of cattail and waterlilies, and I collided into a butterfly. It was black and yellow and huge, and afterward it floated away as quickly as it came. I heard the news later that afternoon. There was no funeral for her. My grandmother did not want to pay for one. Instead she was cremated and a few days later, my mother’s home health care company held a memorial service. They freed one butterfly for each patient who had died that year. I did not miss the irony.

When my mother was alive it was impossible to see the person that she was. It was much too hard to get past the pain and confusion that had plagued me since I was a young child. I was too angry, and she was too burdened with regret. Now that she is gone I can see her more clearly. Without the possibility of learning more about her, I am better able to paint the picture of what I do know. I can use what’s left of her – photos, notes and letters – and gradually piece her together in my mind. And the most comforting thing for me to realize is that it doesn’t even matter anymore if some of it is wrong.